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[post_content] => After writing about
nondual philosophy a couple weeks ago, I received several requests from readers for more information on nondual Tantric philosophy. Tantra is a complicated subject; there are many forms, and it means different things to different people. In the West, the word “Tantric” is usually combined with the word “sex,” and this pair of words has been used to sell millions of books and workshops on mystical sexual practices that have almost nothing to do with Tantra. But Tantra doesn’t need that lascivious association to be significant; it was hugely influential on the development of yoga, which (in some circles) is almost as popular as sex.
Since I can’t possibly explain this entire system in a brief article, I’m going to focus today on just one of its concepts, called the Five Acts of Divine Consciousness. It is explained in the beginning of a work called Pratyabhijna Hrdayam, “The Heart of Recognition,” written by Rajanaka Kṣemaraja around 1000 A.D.
These five “acts” (pancha kritya) describe the Tantric view of how our reality is created. As Ksemaraja says, “Reverence to the Divine, who ceaselessly performs the Five Acts, and who, by so doing, reveals the ultimate reality of one’s own Self, brimming over with the bliss of Consciousness!” Regardless of where your philosophical and spiritual sensibilities lie, I think you’ll find it an intriguing perspective.
• Srsti. The first act, Srsti, means creation, emission, or the flowing forth of Self-expression. This is the process by which Divine Consciousness (use whatever word you like here – Love, Highest Self, God, Universe, Awareness, Goddess, Divine Light) expresses itself as something. It takes form. It emerges in the world as a person or a flower or a breeze.
• Sthiti. The second act, Sthiti, means holding, preservation, stasis, or maintenance. First Consciousness emerges in manifest form as something, then it holds this form – maybe for a moment, maybe for eons.
• Samhara. The third act, Samhara, means dissolution, resorption, or retraction. After emerging in the world as something and sustaining it for a while, the form dissolves – or is reabsorbed or retracted – back into Consciousness. This is why death of a body is not seen as the end of life in this system – because the body was just a temporary emergence of Consciousness into form, which is then reabsorbed into itself. Thus, none of the vulnerabilities of your body actually threaten what you really are. And consciousness never ends.
• Tirodhana. The fourth act, Tirodhana, means concealment, occlusion, or forgetting. An interesting property to ascribe to the Divine, no? Why would one of its five core acts be to conceal? Well, the explanation is that Undifferentiated Consciousness possesses all possible qualities; in order to manifest as one specific thing, it must conceal all the other qualities that don’t belong to that thing.
Additionally, it explains the limited awareness of sentient beings. When Consciousness emerges as, say, a human, as part of its Divine Play, it imparts itself with only a fraction of its unfathomable awareness. In the process, it forgets what it really is. In this way, rather than acting like its various creations, it immerses itself in them. It becomes them. It’s how you don’t realize you’re Divine Consciousness itself, instead believing you’re “only” a human, disconnected from your Source and all other humans. This also allows for each being to have the experience of free will.
• Anugraha. The fifth act, Anugraha, means revealing (revelation), remembering, or grace. Besides allowing for creative expression, the fourth act (Tirodhana) is also the reason why we suffer. We can’t see the truth of our reality and this is frightening and painful. But this is eventually resolved by Anugraha – when what was hidden is revealed and we remember. As author Christopher Wallis explains, it’s not meant to negate the act of concealment, but to bring it to fruition by revealing its deeper purpose: “Such reconciliation is thus also a reintegration; through it you experientially realize yourself as a complete and perfect expression of the deep pattern of the one Consciousness which moves and dances in all things.”
I’m curious to hear how this concept fits with your own worldview. How do you see things differently? Does this perspective feel more or less liberating than your own? Feel free to share your thoughts below.
Be well,
Dr. Peter Borten
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This Saturday is the beginning of the Chinese New Year. One year ago, I remember thinking about the approaching Year of the Fire Monkey and wondering how it would play out. The monkey, much like Curious George, is known for causing havoc. And given the particular elemental qualities at play, experts of feng shui and the Chinese zodiac predicted a year of strong personalities, violent clashes, craziness, trickery, and turning convention on its head. Just picture a couple of monkeys on fire running around in your house.
I don’t put a tremendous amount of stock into these predictions. In fact, I usually forget about them a few weeks into the year. But in 2016, I often found myself distracted by the political theatrics despite myself. It reminded me of the time a monkey jumped on me in Mexico and firmly latched onto my ear with its sharp little teeth. Not only was it uncomfortable, it was quite difficult for me to extract myself from the situation.
Of course, there’s no way to prove that the events of 2016 were caused by its Chinese zodiac attributes, but if the Fire Monkey helps us frame our understanding of the year in a useful way, I think it has served its purpose. Or at least it makes us curious about the next animal.
On January 28th, we enter the Year of the Fire Rooster. Each of the different animals is a symbol for a natural dynamic; some of the interpretations are intuitive and others are a bit of a stretch. In the case of the rooster, let’s start with the one thing everyone knows about roosters by the time they’re three years old. When they see the sun rise, they yell, “Cock-a-doodle-doo!” I believe this translates roughly to, “Wake up!”
Second, they roost. That is, they sit up on something high and watch over several nests. From their roosting spot, they have a position of vision. In numerous spiritual traditions, the rooster is regarded as an intermediary of communication with the Divine; perhaps this notion comes from the high and watchful position the rooster occupies. When the roosting rooster sees something he doesn’t like (such as another rooster moving in), he yells some more.
Third, they fight. Roosters are naturally aggressive toward other roosters, a fact exploited around the world in cockfighting. Roosters are groomed and modified – sometimes with blades attached to their legs – where this blood sport is popular. In Bali, cockfighting is actually a religious ritual (“tabuh rah”) – the losing bird is considered a sacrifice to appease evil spirits – performed at every temple.
The element of the year combines with the animal to color its influence. This year it’s fire, and I think that’s a good sign. Fire’s nature is to illuminate. Its ability to shed light into the darkest corners heralds a time of transparency and clarity.
So, how can we interpret these characteristics as we look hopefully toward the coming year? Well, as I see it, there are two kinds of roosters: the evolved rooster and the base rooster. One proclaims the return of the light and tells everyone to wake up. The other sees only enemies and opportunities to assert his dominance. One roosts up high and views the big picture. The other struts around on the ground looking for a fight.
Each of us has the potential to embody the qualities of an evolved rooster or a base rooster, and I’m betting that we’re going to lean more toward evolution this year. It’s time to wake up.
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Numerous members of the Dragontree community have told us they’re dealing with a lot of anxiety these days, and it happens to be something I’m very familiar with. I think my half-Jewish DNA blessed me with a substantial dose of fear and paranoia. Although there have been plenty of times I wished I weren’t wired this way, I’ve worked through it enough to recognize that many good things have come out of it – including that it has allowed me to help many others with anxiety.
I’ve found that there’s no single approach that works for everyone, so I like to give people a few things to try together, and I’ll share some of these today. A good place to start is with an understanding of how our survival mechanisms work – and malfunction.
Most of us had our first taste of intense fear in childhood and it made a strong impression on us. The feeling itself is often as memorable as whatever it was trying to warn us about. After a few incidents in which a strong feeling of fear accompanied a situation in which we had a strong desire to avoid an unpleasant outcome – e.g., getting hurt or losing something or someone, perhaps our own life – we began to trust fear.
“Why would I be feeling this way,” the mind rationalizes, “if there weren’t something bad about to happen?” Fear is the emotional mechanism our survival instinct uses to get our attention and to cause us to prioritize security above all else. It makes sense that fear feels bad, that it jars us, that it causes us to react without thinking – and that, since it arises when big things seem to be at stake, it’s trustworthy. It’s not.
Our trust in fear began at an age when we didn’t know how to discern whether or not it was legitimate. It turns out much of the time that fear is aroused by our survival mechanisms, it’s misinformed and exaggerated. Just think of all the times you’ve gotten scared about something that turned out to be nothing. We even feel fear while sitting safely on our couch, reading or watching a story in which a fictional character is threatened.
For most people with anxiety, fear is an error nearly 100% of the time. We just got into the bad habit of letting it take over whenever it arises. Breaking a habit takes work, but anyone can do it. When it comes to anxiety this means, as often as possible, doing something different than usual when you feel fearful.
1) Slow down and deepen your breathing. The mind follows the breath, so slower, deeper breathing – especially with a long exhale – will slow down your mind and open up space in your consciousness so you can notice and question this feeling without being at its mercy. Let your inhale go all the way down to fill up your pelvic bowl, and let the edgy feeling pour out of you on the exhale.
2) Turn toward it with curiosity and bravery. Fear goes hand-in-hand with the fight-flight-freeze reaction. That is, we tend to fight it (resist it, hate it, throw everything at it, spend all our savings on toilet paper, etc.), run away from it (any of various avoidance mechanisms, including getting on our devices or moving to a bunker), or freeze (become physically and/or mentally immobilized). These are all animalistic reactions; we can be smarter and braver. Instead of letting the feeling run you, get interested in it. It’s just a feeling. Examine it. What is this thing? What triggered it? What does it look like? What does it feel like? What does it sound like?
3) Don’t resist it. While meeting the feeling with bravery and curiosity, can you soften yourself in relation to it? What if you just let the feeling be here without fighting it? What if you even invite it to stay? What if you allow yourself to feel it with total willingness? Resistance makes fear stronger. You’ve probably heard “What you resist persists,” but maybe you haven’t heard the corollary: “A feeling fully felt finally fades.” The moment you say, “Bring it on,” it changes.
4) Turn the relationship around. When you have one or more intensely anxious experiences it’s easy to develop an aversion to fear. You may find yourself experiencing it as a monster that’s chasing you, which you need to destroy or run away from. But as soon as you run, you define the relationship. You make fear bad. You make yourself a victim. You relinquish your power.
When you start chasing it instead, it stops controlling you. Tell it, “I will find you. I will learn all of your appearances, all of your hiding places,” and you’ll stop fearing fear.
I know these are uncertain times. No one knows what tomorrow will bring. But I promise you, whatever happens, certain things will still be here. Love will still be here. Grace will still be here. Kindness will still be here. Peace will still be here.
I hope these different ways of relating to anxiety are helpful for you. Next time we’ll look at broader self-care strategies for “down-regulating” your nervous system.
I’m honored to help however I can,
Dr. Peter Borten
P.S
If you need extra support, I've crafted our
Anxiety-Relief tincture to do just that.
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nondual philosophy a couple weeks ago, I received several requests from readers for more information on nondual Tantric philosophy. Tantra is a complicated subject; there are many forms, and it means different things to different people. In the West, the word “Tantric” is usually combined with the word “sex,” and this pair of words has been used to sell millions of books and workshops on mystical sexual practices that have almost nothing to do with Tantra. But Tantra doesn’t need that lascivious association to be significant; it was hugely influential on the development of yoga, which (in some circles) is almost as popular as sex.
Since I can’t possibly explain this entire system in a brief article, I’m going to focus today on just one of its concepts, called the Five Acts of Divine Consciousness. It is explained in the beginning of a work called Pratyabhijna Hrdayam, “The Heart of Recognition,” written by Rajanaka Kṣemaraja around 1000 A.D.
These five “acts” (pancha kritya) describe the Tantric view of how our reality is created. As Ksemaraja says, “Reverence to the Divine, who ceaselessly performs the Five Acts, and who, by so doing, reveals the ultimate reality of one’s own Self, brimming over with the bliss of Consciousness!” Regardless of where your philosophical and spiritual sensibilities lie, I think you’ll find it an intriguing perspective.
• Srsti. The first act, Srsti, means creation, emission, or the flowing forth of Self-expression. This is the process by which Divine Consciousness (use whatever word you like here – Love, Highest Self, God, Universe, Awareness, Goddess, Divine Light) expresses itself as something. It takes form. It emerges in the world as a person or a flower or a breeze.
• Sthiti. The second act, Sthiti, means holding, preservation, stasis, or maintenance. First Consciousness emerges in manifest form as something, then it holds this form – maybe for a moment, maybe for eons.
• Samhara. The third act, Samhara, means dissolution, resorption, or retraction. After emerging in the world as something and sustaining it for a while, the form dissolves – or is reabsorbed or retracted – back into Consciousness. This is why death of a body is not seen as the end of life in this system – because the body was just a temporary emergence of Consciousness into form, which is then reabsorbed into itself. Thus, none of the vulnerabilities of your body actually threaten what you really are. And consciousness never ends.
• Tirodhana. The fourth act, Tirodhana, means concealment, occlusion, or forgetting. An interesting property to ascribe to the Divine, no? Why would one of its five core acts be to conceal? Well, the explanation is that Undifferentiated Consciousness possesses all possible qualities; in order to manifest as one specific thing, it must conceal all the other qualities that don’t belong to that thing.
Additionally, it explains the limited awareness of sentient beings. When Consciousness emerges as, say, a human, as part of its Divine Play, it imparts itself with only a fraction of its unfathomable awareness. In the process, it forgets what it really is. In this way, rather than acting like its various creations, it immerses itself in them. It becomes them. It’s how you don’t realize you’re Divine Consciousness itself, instead believing you’re “only” a human, disconnected from your Source and all other humans. This also allows for each being to have the experience of free will.
• Anugraha. The fifth act, Anugraha, means revealing (revelation), remembering, or grace. Besides allowing for creative expression, the fourth act (Tirodhana) is also the reason why we suffer. We can’t see the truth of our reality and this is frightening and painful. But this is eventually resolved by Anugraha – when what was hidden is revealed and we remember. As author Christopher Wallis explains, it’s not meant to negate the act of concealment, but to bring it to fruition by revealing its deeper purpose: “Such reconciliation is thus also a reintegration; through it you experientially realize yourself as a complete and perfect expression of the deep pattern of the one Consciousness which moves and dances in all things.”
I’m curious to hear how this concept fits with your own worldview. How do you see things differently? Does this perspective feel more or less liberating than your own? Feel free to share your thoughts below.
Be well,
Dr. Peter Borten
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